Though my various work commitments kept me from experiencing the full festival, I was able to take in four films at the Independent Film Festival of Boston, and they were all varying levels of good! I’m kind of behind on blogging so I decided to compile all my festival reviews together into one post, so they’ll be short. First up was my number one priority, Obvious Child. Based on the short of the same name, the film stars Jenny Slate as Donna, an aspiring stand-up comedian who loses her boyfriend and her job back-to-back. After wallowing for a bit she allows herself a one-night stand with a cute but fairly strait-laced boy named Max (Jake Lacey), whom she meets at the bar where she performs.
The great Boris Lermontov (Anton Walbrook) is revered for his elegant and moving ballet productions. He is so dedicated to staging perfect ballets, he views everyone around him merely as tools working towards his own illustrious goal. He has no patience for relationships, or emotional hangups, or anyone who doesn’t commit themselves fully. When he discovers young dancer Victoria Page (Moira Shearer), he believes he can mold her into a larger-than-life presence on his stage. At first she is completely dedicated to ballet, performing mind-boggling feats in an adaptation of Hans Christian Andersen’s story, “The Red Shoes.” But after traveling around Europe with Lermontov’s company for some time, she falls in love with his principal composer, Julian (Marius Goring).
Trying their soon-to-be-totally-famous hands at the sexy noir thriller genre, Andy and Lana Wachowski made their directorial debut with Bound in 1996. Gina Gershon stars as Corky, a hardened ex-con recently released from prison, trying to keep her head down as she does some home improvement for an unprejudiced employer. The apartment she’s working happens to be adjacent to that of mob lackey Caesar (Joe Pantoliano) and his girlfriend, Violet (Jennifer Tilly). Feeling an instant mutual attraction, the women soon begin a steamy affair, though Corky doesn’t think it’s anything lasting.
When fresh-faced small-town radio personality Marcia Jeffries (Patricia Neal) interviews a disheveled crooner in an Arkansas holding cell, she is convinced she’s discovered a new star. Larry “Lonesome” Rhodes (Andy Griffith) is a charismatic-beyond-belief hooligan with a ratty guitar and a drinking problem, and the magical ability to get people to listen to him. Marcia gives him a radio show, and from there his career soars higher than anyone could have imagined, leading to multiple nationally-televised talk shows that primarily involve Lonesome effortlessly spewing his own brand of folk wisdom and political commentary.
I haven’t seen enough Barbra Streisand movies, and it’s becoming a problem. I feel like I’ve skipped over this big cultural touchstone. Mostly I just really want to revisit Yentl. But last week I settled for What’s Up, Doc? because it looked supremely silly. And you know what? IT WAS. Ryan O’Neal stars as absent-minded musicologist Howard Bannister, who is traveling to a conference with his bossy, no-nonsense fiancee Eunice (Madeline Kahn). He is half-wooed, half-stalked by the mysterious and apparently penniless Judy Maxwell (Streisand), who manages to turn his entire life upside down within just a few days.