Dedicated to films from all over the world of the horror, thriller, sci-fi, action, experimental, and/or mash-up persuasions, Fantastic Fest is the perfect place to discover all-new weird movies of various origins. I tried to take in a little bit of everything, and I’ve come out with a list of the Top 5 Weird Movies of Fantastic Fest for 2015. Note: Due to scheduling conflicts I missed Yakuza Apocalypse, which I suspect would have made this list. I also missed Anomalisa. Oh well.
When university student Hana meets a quiet, lonely man in one of her lectures, the attraction is instantaneous. She soon discovers he is the last of a family of wolf-people, but that does not change her feelings for him. They move in together and have two children, and tragically he is killed in an accident shortly after the second child is born. Hana quickly realizes her offspring are shapeshifters, with the ability to turn into wolves, and she moves her family out to the country with the hope that they’ll be safe from prying eyes and can find a way to reconcile their dichroic heritage by being closer to nature.
Recently the Somerville Theatre showed a restored print of the original Godzilla, and though it was a digital presentation it was decidedly excellent to see it on a big screen. On this viewing, I found myself continually finding parallels to Jurassic Park, which had shown at the same theater a few weeks earlier, so I thought it might be fun to do a little comparison piece thingie. (I don’t know, I’ve never done anything quite like this before, what would you call it?) Of course, both are films about monsters, but more specifically, both are films about essentially man-made monsters, allowing their stories to act as commentary on the hubris inherent to human science.
It seems for months I’ve been hearing about Miyazaki’s latest film, The Wind Rises. Possibly the acclaimed anime director’s final feature, it has for many proven to be a fitting end, a metaphorical journey through Miyazaki’s own creative struggles and achievements. Based on his own comic, which itself loosely draws from actual history, the film centers on Jirô Horikoshi, who as a child dreams of being a pilot but instead becomes an airplane designer when he realizes his poor eyesight would hinder him. We watch Jiro grow up into a quiet, hardworking young man who devotes himself to his craft, studying harder than his classmates and eventually going to work for a top aircraft manufacturer.
Though I’m finding the whole thing rather baffling, I am set on finishing the Evangelion reboot film series. Mostly because I lost interest in the show itself and feel like this is a faster way to find out what happens at the end. Plus the animation is better. The third entry in the film series is the most inscrutable yet, but so beautifully animated and so god-damn weird that I guess I liked it. I GUESS. It shifts the action 14 years in the future where everything is terrible, more terrible even than before, and punctuates the snippets of exposition with big robot battles. For my full review, head over to 366 Weird Movies!