Recently the Somerville Theatre showed a restored print of the original Godzilla, and though it was a digital presentation it was decidedly excellent to see it on a big screen. On this viewing, I found myself continually finding parallels to Jurassic Park, which had shown at the same theater a few weeks earlier, so I thought it might be fun to do a little comparison piece thingie. (I don’t know, I’ve never done anything quite like this before, what would you call it?) Of course, both are films about monsters, but more specifically, both are films about essentially man-made monsters, allowing their stories to act as commentary on the hubris inherent to human science.
After his parents die, feathery-haired teenager Mike (A. Michael Baldwin) suffers from nightmares. His older brother Jody (Bill Thornbury) is left to take care of him, but when one of Jody’s friends dies Mike spies on the funeral and becomes convinced that something weird is going down at the cemetery. After some reconnaissance, he determines that the sinister mortician- known only as “The Tall Men” and played with relish by Angus Scrimm- is stealing corpses for some unknown (but likely nefarious) purpose, and he commands a legion of dwarfish demons who help defend the funeral parlor.
Maddy (Caitlin Stasey) is a grungy lesbian teen who catches the gruesome accidental death of her friend Alexis (Felisha Cooper) on film when she breaks her neck during a daring cheerleading stunt. Months later, Maddy enacts a revenge plot against her school’s cheerleaders and football players, whom she feels have trashed Alexis’s memory with their wanton ways. She joins the squad and sets to work clandestinely dismantling their relationships. Frenemy lines become blurred, however, when she starts to fall for new head cheerleader Tracy (Brooke Butler). After a party with the team goes horribly wrong and the cheerleading squad winds up dead, Maddy’s Wiccan ex-girlfriend Leena (Sianoa Smit-McPhee) brings the girls back to life, with bizarre, homicidal side effects.
So yes, the Thon is about halfway over, many hours have passed. I’ve lost some of my patience with the “Close the door” running joke, and the kids sitting behind me have been way too chatty, but I’m feeling awake, and excited about the next several films, and my companions have been staying strong. Plus I know I’ve got some Dunkin in my future, always a pleasant thought. (God, I’m, like, so New England.) So here we go.
When two best friends, Marie (Cécile De France) and Alexia (Maïwenn), visit Alexia’s family farm while preparing for their university exams, they’re expecting a quiet stay in the countryside. The only signs of possible discontent seem to stem from Marie’s secret crush on her friend, and jealousy of Alexia’s many affairs with men. The very night they arrive, a mysterious stranger breaks into the house and silently slaughters Alexia’s father, mother, and little brother. Marie hides any signs that she’s even staying there and surveys the carnage while in hiding. The killer kidnaps Alexia and Marie manages to sneak onto his truck, and the rest of the night unravels into a deadly game of hide-and-seek as she tries to rescue her friend while avoiding the monster’s gaze.