Aspiring punks Bobo (Mira Barkhammar) and Klara (Mira Grosin) may only be thirteen years old, but they are ready to take on the world with their newly-formed band. At first trying to teach themselves to play bass and drums, they eventually enlist shy Christian guitarist Hedvig (Liv LeMoyne) to join the group, and the three forge a solid but sometimes tempestuous friendship. Politics, class, puberty, and music all intermingle as the girls come of age- sticking together through first crushes, first DIY haircuts, first hangovers, and their first live performance at a small-town music festival.
When quiet, respectable anthropologist Dr Hess Green (Duane Jones) takes on a new assistant, George Meda (Bill Gun), he unwittingly changes the course of their lives. Though amiable and talkative, Meda is neurotic and suicidal, and prone to violent moods. One night, he accidentally attacks Green, stabbing him with an ancient dagger taken from the (fictional) Mythrian tribe. Meda soon after kills himself, while Green is left cursed with a hunger for blood and apparent immortality. Fearful of persecution (he’s the only black person in his wealthy neighborhood), he hides Meda’s body and claims his assistant ran away. But when Meda’s long-suffering wife, Ganja (Marlene Clark) shows up looking for him, Green’s secrets can’t help but tumble out.
Born out of wedlock in the 1760s to a black slave mother and a wealthy white ship captain, young Dido (Gugu Mbatha-Raw) did not have a simple life to look forward to. When her mother died, her father (Matthew Goode) claimed her as his own and left her with her great-uncle Lord Mansfield (Tom Wilkinson), a highly influential judge in Britain, and his wife (Emily Watson). She was raised alongside their other ward, Elizabeth (Sarah Gadon), another niece around the same age. By the time they are teenagers, the cousins are as close as sisters, but each finds herself in an uncertain position- one social, one economic.
Recently the Somerville Theatre showed a restored print of the original Godzilla, and though it was a digital presentation it was decidedly excellent to see it on a big screen. On this viewing, I found myself continually finding parallels to Jurassic Park, which had shown at the same theater a few weeks earlier, so I thought it might be fun to do a little comparison piece thingie. (I don’t know, I’ve never done anything quite like this before, what would you call it?) Of course, both are films about monsters, but more specifically, both are films about essentially man-made monsters, allowing their stories to act as commentary on the hubris inherent to human science.
Though my various work commitments kept me from experiencing the full festival, I was able to take in four films at the Independent Film Festival of Boston, and they were all varying levels of good! I’m kind of behind on blogging so I decided to compile all my festival reviews together into one post, so they’ll be short. First up was my number one priority, Obvious Child. Based on the short of the same name, the film stars Jenny Slate as Donna, an aspiring stand-up comedian who loses her boyfriend and her job back-to-back. After wallowing for a bit she allows herself a one-night stand with a cute but fairly strait-laced boy named Max (Jake Lacey), whom she meets at the bar where she performs.