I remember reading about this film years ago, as there was something of a furor surrounding Andrea Arnold’s decision to cast a man of color in the classic role of Heathcliff, a part usually played by a white dude even though he was written as “dark-skinned” and likely Romani. I never really loved Wuthering Heights but I applauded Arnold’s casting and was intrigued to see her version of the story. Set in an isolated farm house along northern England’s moors, the film uncovers the intense, complex relationship between Catherine Earnshaw (Shannon Beer and Kaya Scodelario) and her sort-of-adoptive brother Heathcliff (Solomon Glave and James Howson).
I wanted to (shockingly) take a break from horror and Miles was in the mood for a western, so catching High Noon on netflix seemed like a good plan. The iconic film stars Gary Cooper as a marshal celebrating both his marriage to beautiful Quaker, Amy (Grace Kelly), and his pending retirement from law enforcement. His new idyll is shattered almost immediately when word comes that a murderer the marshal had arrested years ago has been released, and is due to arrive by noon. Though encouraged to leave town, the marshal feels he must take responsibility for the impending carnage and attempts to corral together a posse to defend against him and his gang of criminals. Most of the townsfolk either ignore his plight, plead for him to leave town, or actively hope for his death.
After a very satisfying dinner and some much-needed caffeine, we were ready to sit through the next 4 Terrorthon films, continuing our cinematic odyssey into the 60s, 70s, 80s, and 90s. Again, not much “terror” to be had here, but a really solid offering of sci-fi adventures with mild horror elements. The only one from this grouping I hadn’t seen was Tremors, but I’d tried watching it just a few weeks ago and my internet was being fussy so it didn’t work. I was really excited that I could actually see it, and on a big screen no less! And since this Thon went from 12pm-12am, I wasn’t even that sleepy (as opposed to the all-night escapades of the other marathons I go to). Anyway, read on for some sci-fi goodness!
This year the Somerville Theatre has revived its horror marathon (some might recall I attended its last incarnation in 2009), and of course we took the day off to attend because of priorities. It was a lovely time, complete with cartoon shorts and lots of horror trailers, and I even won a raffle prize that included From Dusk Til Dawn on blu-ray! Wow! Also lots of fantastic posters were hanging all around, courtesy of long-time Thon-er Francisco Urbano. I loved that they programmed it in chronological order (and one offering per decade), too, since I haven’t been to a marathon that’s done that before and you could sort of see the progression of style and writing in genre films. They called it a “Terrorthon” but honestly there was not much terror to be had, and the majority of the films were straight sci-fi with maybe some horror elements.
The horror times continue with a film several people have recommended to me, and is honestly the scariest I’ve seen in a while. Based on Shirley Jackson’s novel, The Haunting unravels the mysteries of Hill House, an old mansion where several inhabitants died gruesome or unexpected deaths. It’s remained empty for years but a paranormal psychologist and researcher (Richard Johnson) who is out to prove the existence of ghosts enlists a small group to investigate the mansion’s possible otherworldly properties. Theodora (Claire Bloom) is a snarky psychic, Eleanor (Julie Harris) is a nervous sensitive, and Luke (Russ Tamblyn) stands to inherit the house and wants to catalog his future wealth.