I realize I’ve never actually reviewed any of his films on here, but know that I really love and respect the films of Makoto Shinkai. He’s a terrific animator and visionary artist, and I like how his works are all kind of sad and tinged with longing. It gets to me. His latest feature, Children Who Chase Lost Voices (aka Journey to Agartha) is a bit of a change for him in that it is mostly high fantasy, and works much more in the Miyazaki vein than his other films, but it still retains some of his signature as a storyteller and artist. The plot revolves around Asuna, a hardworking preteen loner who briefly befriends a mysterious stranger. She discovers he is from a mythical land known as Agartha, a kind of underworld where all the old gods fled after people stopped believing in them, along with some human groups who followed them.
Thor is never something I’ve had Big Opinions about but I like all those Marvel movies so I go to see them, you know? This time around the big guy (Chris Hemsworth) is hanging out in space or whatever, fighting aliens and sucking up to his benevolent dictator dad and pining for his brilliant earthbound girlfriend, Jane (Natalie Portman). Through the wonders of science she discovers a portal to other worlds and accidentally absorbs a destructive energy that makes her a target for a host of evil elves led by Malekith (Christopher Eccleston), who holds an old grudge against Asgard. Thor brings Jane to Asgard as Malekith is gearing up for war, planning to reclaim this mystery power from her.
Miles found this at his work and we were all ready for another Alex Cox movie to fall in love with since Repo Man is basically constantly on a loop at our house. Walker sounded rigoddamndiculous and I was intrigued by the premise alone. Based on a real-life figure, the film stars Ed Harris as William Walker, a doctor/lawyer/adventurer who acted as a “filibuster” in the mid-19th century, going into South American regions and attempting to set up American colonies. He is hired by opportunistic Cornelius Vanderbildt (Peter Boyle) to bring order to Nicaragua so that the wealthy tycoon can control their major trade route. Conquering local soldiers with a small army of mercenaries, Walker eventually installs himself as dictator and rules for almost two years.
After a very satisfying dinner and some much-needed caffeine, we were ready to sit through the next 4 Terrorthon films, continuing our cinematic odyssey into the 60s, 70s, 80s, and 90s. Again, not much “terror” to be had here, but a really solid offering of sci-fi adventures with mild horror elements. The only one from this grouping I hadn’t seen was Tremors, but I’d tried watching it just a few weeks ago and my internet was being fussy so it didn’t work. I was really excited that I could actually see it, and on a big screen no less! And since this Thon went from 12pm-12am, I wasn’t even that sleepy (as opposed to the all-night escapades of the other marathons I go to). Anyway, read on for some sci-fi goodness!
This year the Somerville Theatre has revived its horror marathon (some might recall I attended its last incarnation in 2009), and of course we took the day off to attend because of priorities. It was a lovely time, complete with cartoon shorts and lots of horror trailers, and I even won a raffle prize that included From Dusk Til Dawn on blu-ray! Wow! Also lots of fantastic posters were hanging all around, courtesy of long-time Thon-er Francisco Urbano. I loved that they programmed it in chronological order (and one offering per decade), too, since I haven’t been to a marathon that’s done that before and you could sort of see the progression of style and writing in genre films. They called it a “Terrorthon” but honestly there was not much terror to be had, and the majority of the films were straight sci-fi with maybe some horror elements.