Dedicated to films from all over the world of the horror, thriller, sci-fi, action, experimental, and/or mash-up persuasions, Fantastic Fest is the perfect place to discover all-new weird movies of various origins. I tried to take in a little bit of everything, and I’ve come out with a list of the Top 5 Weird Movies of Fantastic Fest for 2015. Note: Due to scheduling conflicts I missed Yakuza Apocalypse, which I suspect would have made this list. I also missed Anomalisa. Oh well.
Though my various work commitments kept me from experiencing the full festival, I was able to take in four films at the Independent Film Festival of Boston, and they were all varying levels of good! I’m kind of behind on blogging so I decided to compile all my festival reviews together into one post, so they’ll be short. First up was my number one priority, Obvious Child. Based on the short of the same name, the film stars Jenny Slate as Donna, an aspiring stand-up comedian who loses her boyfriend and her job back-to-back. After wallowing for a bit she allows herself a one-night stand with a cute but fairly strait-laced boy named Max (Jake Lacey), whom she meets at the bar where she performs.
I remember when Amer came out some years ago and it caught my eye first for its truly gorgeous poster, and second for its female co-director/co-writer, Hélène Cattet, since there aren’t a ton of women making horror films. I never actually got around to see Amer, but I did take advantage of BUFF’s screening of The Strange Color of Your Body’s Tears, the Belgian directing duo’s latest feature. Stylishly surreal, visually sumptuous, and employing a range of different techniques, the film is beautiful and weird in many ways but unfortunately suffers from a dragged-out pace and tedious repetition. I started out really engaged but ended up just feeling really uncomfortable for two hours. I wrote a longer response to it over at 366 Weird Movies, so check it out!
Beginning in an almost-real version of the real world, The Congress centers on Robin Wright, playing struggling actress Robin Wright, once-beloved star of The Princess Bride whose career has gone sour after years of missed roles and bad film choices. Now in her 40s, Robin devotes much of her time caring for her sick teenaged son (Kodi Smit-McPhee), who is slowly losing his hearing and sight. When a cruel producer (Danny Huston) offers her an unbelievable contract, she decides to take it, resulting in her entire self being digitized. Her digital likeness is taken over by a studio conglomerate, which uses it to make new movies starring a younger, malleable, no-personal-melodrama version of Robin Wright, while the real one is no longer allowed to act.
Maddy (Caitlin Stasey) is a grungy lesbian teen who catches the gruesome accidental death of her friend Alexis (Felisha Cooper) on film when she breaks her neck during a daring cheerleading stunt. Months later, Maddy enacts a revenge plot against her school’s cheerleaders and football players, whom she feels have trashed Alexis’s memory with their wanton ways. She joins the squad and sets to work clandestinely dismantling their relationships. Frenemy lines become blurred, however, when she starts to fall for new head cheerleader Tracy (Brooke Butler). After a party with the team goes horribly wrong and the cheerleading squad winds up dead, Maddy’s Wiccan ex-girlfriend Leena (Sianoa Smit-McPhee) brings the girls back to life, with bizarre, homicidal side effects.