New wave beats and a failing family pub, elaborate pool parties and DIY sequined hot pants: Starstruck takes the excesses of the 80s entertainment industry and clashes them with a working class family struggling to stay afloat financially and emotionally, all set to a truly rockin’ soundtrack. Jackie (Jo Kennedy) works as a waitress by day but dreams of becoming a hit singer, which her fourteen-year-old cousin and manager Angus (Ross O’Donovan) tirelessly encourages. Together they connive to land a spot on their favorite music tv show, hosted by the dashing Terry Lambert (John O’May), but all their hard work may be for nothing when Jackie’s new handlers insist on changing her look, her sound, and her band.
After his parents die, feathery-haired teenager Mike (A. Michael Baldwin) suffers from nightmares. His older brother Jody (Bill Thornbury) is left to take care of him, but when one of Jody’s friends dies Mike spies on the funeral and becomes convinced that something weird is going down at the cemetery. After some reconnaissance, he determines that the sinister mortician- known only as “The Tall Men” and played with relish by Angus Scrimm- is stealing corpses for some unknown (but likely nefarious) purpose, and he commands a legion of dwarfish demons who help defend the funeral parlor.
I remember when Amer came out some years ago and it caught my eye first for its truly gorgeous poster, and second for its female co-director/co-writer, Hélène Cattet, since there aren’t a ton of women making horror films. I never actually got around to see Amer, but I did take advantage of BUFF’s screening of The Strange Color of Your Body’s Tears, the Belgian directing duo’s latest feature. Stylishly surreal, visually sumptuous, and employing a range of different techniques, the film is beautiful and weird in many ways but unfortunately suffers from a dragged-out pace and tedious repetition. I started out really engaged but ended up just feeling really uncomfortable for two hours. I wrote a longer response to it over at 366 Weird Movies, so check it out!
Set in a dystopian version of 1994, The Apple offers a twisted take on the Adam and Eve tale set to a host of dazzling disco dance sequences. In a world controlled by music producer Mr Boogalow (Vladek Sheybal) and his glammed-up music group BIM, folk singers Bibi (Catherine Mary Stewart) and Alphie (George Gilmour) dream of sharing their nostalgic love songs with the world. Instead, Bibi falls under Mr Boogalow’s spell against Alphie’s better judgment, and in a haze of glitter and drugs she rises to stardom while he sinks into poverty. After a few musical montages they realize they still love each other and Bibi attempts to break away from the totalitarian music industrial complex with the help of some magical hippies.
So yes, the Thon is about halfway over, many hours have passed. I’ve lost some of my patience with the “Close the door” running joke, and the kids sitting behind me have been way too chatty, but I’m feeling awake, and excited about the next several films, and my companions have been staying strong. Plus I know I’ve got some Dunkin in my future, always a pleasant thought. (God, I’m, like, so New England.) So here we go.